THE ILLICIT TRADE IN ANTIQUITIES
By Dr Neil Brodie
The Illicit Antiquities Research Centre
Macdonald Institute for Archaeological Research
University of Cambridge
Today there is a large and growing international
market for antiquities. They are bought and sold in most countries
of the world, although most end up in the museums and collections
of North America, Europe and Japan. Unfortunately, demand for
antiquities far outstrips supply, and there are not enough in
circulation to satisfy the market. As a result, looters target
archaeological sites and monuments. Graves are opened in the
search for jewellery or valuable pottery, monuments are disfigured
by the removal of saleable pieces of sculpture, and museums
are burgled.
The scale of the destruction is alarming.
Official Italian police records show that between 1969 and 1999
they recovered 326,000 objects from illegal excavations, but
many more must have left the country. One study has shown that
so many 4th-century BC Apulian vases left Italy over the same
period that they must have been taken from over 1,000 tombs.
And that is not an outlandish or unusual figure. At the cemetery
of Khirbat Qazone in Jordan, for example, it is estimated that
something like 3,000 graves have been destroyed by looters.
Even in the USA cemeteries are not safe. At Slack Farm in Kentucky
bulldozers were used to plough through 700 Native American burial
mounds. In South America, Africa and Asia, the story is the
same, and it is not only cemeteries that are under attack. For
nearly 30 years the temples of Cambodia and other south Asian
countries have been vandalized to supply sculpture for the 'Asian
art' market, and the terracotta figures of West Africa, unknown
50 years ago, have likewise been dug up to feed the ever-growing
demand for 'tribal art'. In 1991 a survey in Mali discovered
830 archaeological sites, but also discovered that looters had
got to nearly half of them first. The list goes on and on. Even
Christian churches aren't safe. In north Cyprus, for example,
historic churches have been stripped of their wall-paintings
and mosaics. In 1997, 5060 crates full of Cypriot material
were recovered by German police in Munich during a successful
'sting' operation.

L-R: Page from the ICOM book One Hundred
Missing Objects: Looting in Angkor; Looted cemetery
at Khirbat Qazone, Jordan (photo: Konstantinos Politis)
The problem with this large illicit
trade is that when archaeological sites and monuments are destroyed,
information about the past is destroyed along with them. This
is because, in reality, antiquities themselves can tell us very
little about the past, it is the quality of archaeological excavation
that counts, not the monetary value or aesthetic appeal of recovered
antiquities. During a properly-conducted excavation, layers
and features are measured and planned, and find spots are plotted.
Great care is taken to recover environmental evidence such as
preserved plant remains, and fragile materials such as corroded
metal or decaying cloth are carefully conserved. All this information
and evidence is lost when a site is illegally dug. From the
evidence of their excavations archaeologists try to answer questions
about the past: How did people live? What did they eat? What
did they wear? Why did things change? No antiquities collection
by itself can answer these questions.
There are several international conventions
and agreements that have been drafted to stop the illicit trade.
The most important is the 1970 UNESCO Convention on the Means
of Prohibiting and Preventing the Illicit Import, Export and
Transfer of Ownership of Cultural Property, which has been ratified
by 100 countries, including the UK which acceded in 2002. Museum
organizations such as the International Council of Museums and,
in the UK, the Museums Association, have also drafted codes
of practice that call upon museums not to acquire antiquities
unless a clear and legal pedigree can be demonstrated. However,
the illicit trade persists, largely because it is hard to spot
a looted antiquity. This is because
antiquities are sold without provenance in other words,
they are sold without details of find spot or ownership history.
Thus it is easy for an innocent or an unprincipled buyer to
claim that there was nothing to suggest that a purchased piece
had been looted. There hardly ever is of course, because it
is virtually impossible to research the market history of a
piece. Museums and salerooms are under no obligation to release
information on the subject, and most usually don't. While provenance
is routinely suppressed in this way looted antiquities can easily
be bought and sold.

Italian antiquities illegally exported
and seized by Swiss police in Geneva in 1995
Most antiquities which are looted from
archaeological sites cannot be identified as no record exists
of their illegal excavation. In consequence, very few are ever
recovered. However, sometimes, antiquities are stolen from inventoried
collections in museums and archaeological storehouses. Inventoried
antiquities are more often recovered, and when they are, it
is often from the possession of a law-abiding individual or
institution. They have frequently been sold through a reputable
trade outlet. In 1993, for example, the International Council
of Museums released details of 100 pieces of sculpture that
had been stolen from the storeroom of the great temple of Angkor
Wat, in Cambodia. As a result of this publication, 7 pieces
have been recovered. One was in New York's Metropolitan Museum
and 2 were in the Honolulu Academy of Arts. Other pieces were
recovered from France, the United States, the UK and Switzerland.
It is to the credit of these museums and individual collectors
that they came forward and returned the stolen pieces, presumably
those in possession of the remaining 93 pieces are not so honest.
But it is also a good example of how stolen antiquities can
end up in major museums. Three of the pieces had been sold through
Sotheby's auction house. Again, the good reputation of Sotheby's
was no guarantee of a piece's legitimacy.
The geographical range of the illicit
trade has expanded greatly over the past 20 years. This is because
during that time the cost of travel has dropped enormously and
political barriers have fallen. Thus the archaeology of the
Sahara, the Himalayas and the Amazonian rainforest is no longer
safe because it is no longer inaccessible. The political reforms
that have swept through the former communist bloc have also
opened those countries to the illicit trade. Czech police estimate
that thefts from cultural institutions increased twelve-fold
when the Czech Republic's borders opened in 1990. Chinese material
is flooding through the market, most of it being sold first
in Hong Kong's infamous Hollywood Road, which is lined with
antiques shops selling everything from fossilized dinosaur eggs
through stone Buddha heads to colonial furniture. Much has been
moved out of China illegally, but a great deal is probably fake.
It is a chance one takes when buying objects with no documented
provenance. If there is no proof of origin, then there is no
proof of authenticity.
In many countries, the fundamental cause
of looting is poverty. Poor farmers can earn more from digging
up archaeological sites than from the sale of crops. In times
of war, too, archaeological sites and museums are a ready source
of income. The sack of the Baghdad Museum in April 2003 grabbed
the attention of the world's media, but although the archaeological
sites and museums of countries such as Afghanistan and Somalia
are less newsworthy, they have suffered too. Again, during wartime,
archaeological sites are often looted by people whose livelihoods
have been destroyed, but sometimes there are more sinister motives
the money earned from the sale of antiquities can be
used to keep armed militia in the field.
So the battle to stop looting is really
a battle for hearts and minds. If collectors in the West can
be persuaded that it is not fashionable or clever to buy unprovenanced
antiquities, then demand will shrivel. If people living in the
vicinity of sites are offered realistic subsistence options,
and particularly if archaeological sites are developed as cultural
resources with a tourist and hence economic potential, then
looting will stop. This is why the work at sites like Butrint
is so important, where archaeologists work together with the
local community to ensure that their interests are not overlooked,
and in so doing secure the future survival of the site.