Missing Antiquities of Albania
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CATALOGUE OF MISSING ANTIQUITIES

THE WARRIOR OF SOSIKLES

  Identification
   
Name
The warrior of Sosikles
   
Original museum location and inventory no.
None; missing before the creation of the Butrint Archaeological Museum collection. Until 1940, the statue was displayed in the open area near the theatre of Butrint
   
Materials
White marble with veining like cipollino/Carystian green marble
   
Dimensions
Height 168 cm; height of base 12 cm
   
Excavation context
Found by Ugolini in 1929 near the third niche of the scaenae frons of the theatre.
   
Bibliography
Ugolini, L.M. (1935) Il teatro di Butrinto. Atti della Pontificia Accademia Romana di Archeologia. Rendiconti 11.1-2: 89; fig. 15.
Ugolini, L.M. (1937) Butrinto, il mito di Enea. Gli scavi: 146; fig. 91. Rome.
Budina, Dh. (1971) Harta arkeologjike e bregdetit Jon dhe e pellgut të Delvinës. Iliria I: 332-334; pl. 28.
Stemmer, K. (1978) Untersuchungen zur Typologie, Chronologie und Ikonographie der Panzerstatuen: 139-140. Berlin.
Bergemann, J. (1988) Die Römische Kolonie von Butrint und die Romanisierung Griechenlands: 52-54, 66, 133-134; fig. 77. Munich.
Koch, G. (1995) Ein römischer kaiser in Dyrrachium. Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung 102: 323.
Gilkes, O.J. (2003) (ed.) The Theatre at Butrint: Luigi Maria Ugolini’s Excavations at Butrint 1928-1932 (Albania Antica IV Supl. vol. no. 35): 228-230, 245; figs 8.36-8.38. London.
   
Description (inc. icon. study, comparison with similar objects, production context)

Signed statue of cuirassed man. The inscription, which states in Greek that ‘Sosikles, the son of Sosikles, from Athens made it’, is visible on the front of the statue support. The left hand and the right arm were carved separately and attached, the head, too, would have been sculpted separately and inserted. None of these survive; though, a hand with a sword, which may pertain to the statue, was found by Ugolini during the excavations. The figure stands with the weight on his right leg, the left is flexed in a walking pose; on his feet he wears patrician shoes. The torso of the cuirass is undecorated apart from three rows of pteryges: an upper row decorated with lion heads, and a lower row of longer elements ornamented with palmettes and volutes - behind the latter another row is just visible. The triple row of pteryges is an unusual feature, mainly found on cuirassed statues in Greece and southern Italy.[1] The humeralia are visible on the right shoulder, those on the left are obscured by the folds of the chlamys. Below the cuirass the figure wears a tunic reaching to just above the knees; the right sleeve is rendered as a cluster of folds on the shoulder suggesting the figure was depicted with the arm raised. Part of the chlamys, or mantle, rests on the figure’s left shoulder but is in the main wound around the his left lower arm, from where it falls in zigzag folds in front of the support. The support itself is rendered as the trunk of a tree.

   
Dating
First century AD
   
History of Disappearance
The statue was sent to Italy in 1940 for the Mostra d’Oltremare in Naples; possibly destroyed by allied bombing in 1943.
   
Last Known State of Conservation
The head, the left hand, part of the right foot and all of the right arm are missing; visible break line above both knees and through the support.
   
Notes
1. Bergemann 1998: 66, 134.